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For as far back as I can remember, I've always liked to draw.

About Edward

I was born in Pittsburgh, PA in 1962 and grew up with my five sisters in the small town of Crafton. Great family. Great friends. Great community. I had a terrific time. My first year of college was at The University of Notre Dame studying Architectural Engineering. That was not so great. After a year off working as a deckhand on the coal barges, I returned to school to study Industrial Design at the Rochester Institute of Technology. While at RIT, I tried my hand at oil painting for the first time in November of '83. I painted a portrait of one of my beloved heroes; my recently deceased Grandfather. The moment I picked up that brush, it felt like I had been painting my entire life. I was hooked, and my career as a fine artist had begun...

Planting the seeds

In '85, I returned to Pittsburgh, ready to take my hometown by storm. I immersed myself in the local art community, and my success was critically, if not commercially, immediate. I sat on the board of directors of The Associated Artists of Pittsburgh, The Pittsburgh Society of Artists, and The Pittsburgh Center For The Arts. I exhibited regularly in group and solo gallery exhibits. By '89, it was time to test the waters in other markets, so I moved to New Haven, CT. It was to be my hub exploring all the active east coast venues for the next 5 years. While my NYC and Boston gallery pursuits were largely unproductive, my voice and vision as an oil painter grew exponentially.

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Language              oil on canvas

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Sweet Home
 

Vermont

My next stop was Nashville, TN where my work focused on portrait commissions and my growing interest in the relationship between music and visual art. While there, I met my wife, Dorothy.  We visited her old home in her native Vermont and knew immediately that was where we both belonged.

In 2001, we purchased and restored a beautiful 1860 Victorian house in the historic village of Brandon that we now call home. On the property sits a 19th century post and beam barn that we converted into the studio of my dreams. Finally firmly rooted, I began to fully understand the nature and purpose of my artistic journey.

My studio in Brandon, Vermont

Blossoming

   After 20 years as an oil painter, I realized that my current body of work would require a new medium.

I was creating the visual equivalent of music and lyrics, so I needed to find a method of work that was as fluid as the dance unfolding before my eyes.

 

   I found my answer in digital tools. I was still painting, but now my canvas was a computer monitor and my paintbrush was a tablet and stylus. My painting was no longer the strategic chess match required of oils. It was a dialogue with the Muse; listening, responding, executing in real time, creating at the speed of thought. My working process now mirrored the dance of the artwork, and thus I christened my newly developing methodology Visual Choreography.

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Coppelia       original pigment print

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One voice

When asked to describe my art, it is difficult to find accurate words; I do not fit neatly into any isms.  My goal is to create a new language specific to the values I wish to communicate. 

My approach is not to blur the edges of realism or sharpen the focus of abstraction, but to create a common ground where the two can meet; not as opponents coerced into an uneasy balance, but as equal partners singing a new song with one voice.

Song Painting #22           original pigment print

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